So, here's a page from the comic I've been working really hard on. I chose this page specifically because (without words) it tells you absolutely nothing about the subject of the comic. I need to keep that a secret for just a little longer, but I did want to share a taste of my current pride and joy with the world.
I'm particularly fond of the first panel, and the hamster in his little wheel. (Yes, he is supposed to be that big. I chose a Siberian hamster on purpose, because they're larger than other hamsters.)
Sorry for all the watermarking; that's to help deter unscrupulous art thieves. Believe me, they exist, and they don't care who they pilfer from!
I'm totally going to have to digi-paint this sucker. It's just too rad and sexy not to give it some more love. Those streaks, for instance, are meant to be streetlight tracks.
(This image was heavily referenced from three different photos, since I absolutely suck at drawing vehicles, but I think I made it my own in the end.)
This is one of the other side characters. You've seen her before, in toe shoes. She's pretty arrogant, and a formidable adversary for our easily-intimidated heroine. She also has a very long body type, the kind of woman who somehow manages to be all leg without looking gawky.
As for the trendy clothes... I've obviously been reading waaaaaay too much Chinese fashion manhua.
Manga-style's been clicking so nicely for me lately that I thought it was about time that I started taking new stabs at the side characters in the comic. After all, I've got to get used to drawing them again before they go on the page! So here's the MC's saucy, curvy roommate, clicking away at her cellphone.
On a side note, I'd forgotten how much I adore drawing curvy women! Sure, shapely skinny folk are lovely, but the lush roundness of a voluptuous gal is just such a joy to observe and draw. (Large men are also fun subjects, but they tend to be more amusing than gorgeous. Something to do with the male frame...)
I love going to Trivia Night with my boyfriend and his posse, but the announcer waits forever between questions and last night I was stuck at the end of the table (not good for conversation), so I doodled.
My boyfriend swears the freckly-faced manga girl is me, but I'm pretty darn sure that I'm not projecting; our personalities are so different!
My manga style needs more refining, so I started this doodling something that would let me work on how I want to draw hair. Obviously, I got a little carried away. I really can't wait to have time to finish and ink this, though.
I've done a lot of art in the past month. Most of it I can't post, but I'll catch up on what I can.
I haven't seriously tried painting with acrylics since I graduated high school (almost a decade ago, oh my), because I was never very good at it; color eludes me. I thought it might be time to give it another go, so I got out a mini-canvas -- adorable at 3"x3" -- and attempted to recreate a tree that's on the drive home from work. For a while there the leaves were only turning on one side, from the top down, and I thought it looked interesting.
The photo isn't very good, but then again neither is the painting.
So here's the entire collection of ballpoint illustrations! I made a few changes to some of the ones I posted before, so I might as well post them all in their finished state.
So here we have "Generating Ideas" and "Pondering Use of Words." And ugh, the "Words" one took way longer than it should have! I think it was filling the bins with words that did it, that required translating (and somewhere in the middle of that I realized that the translator had switched from English-Swedish to Swedish-English, which meant I had to start all over, blargh).
Despite the excessive creation time, I'm rather pleased with both of these.
My client is currently chilling on the Thames River. I am so incredibly jealous. ^_^
So here are some pictures from the freelance project I'm working on. It's a book/calendar on writing to be published in Sweden. Ann is really delightful to work with; currently she's moving from Sweden to the UK by ship!
These two pieces are about connecting with readers' emotions and dealing with writer's block.
Oh, and a neat bit of trivia: the Swedish writing in the block picture is the opening paragraph from Hans Christian Anderson's The Little Sea-Maid, which shouldn't come as a surprise to anyone. ;)
